山水画的意境就是山水画所创造的境界,主张以意为主,强调表现,意造境生,营造“山性即我性,山情即我情”的境界,山水画创造的意境不光是优美的景色、山川的风光,更多的是画家理想境界的追求,是超脱于烦琐与庸俗社会的心灵居所。

Landscape painting created artistic conception is landscape painting, advocate is given priority to with meaning, emphasize performance, meaning, create "mountain sex is my sex, mountain feeling is my love" realm, landscape painting created artistic conception is not only beautiful scenery, scenery of mountains and rivers, more is the pursuit of painter ideal realm, is beyond the trivial and spiritual residence of vulgar society.

王翚将黄公望、王蒙的书法性用笔与巨然、范宽的构图完美地结合起来,创造出一种华滋浑厚、气势勃发的山水画风格。他所画的江南小景往往生趣盎然,清幽灵动。王翚作画喜好干笔、湿笔并用,而且多以细笔皴擦,画面效果比较繁密。他早期画风清丽工秀,晚期则倾向苍茫浑厚。章法富于变化,水墨与浅绛渲染得法。山水法取黄公望笔意.

The figure is composed with lofty style, painting high rock ravines, long pine lake, ancient wooden Qiu, overgrown with weeds, mountain path, stacked mountain springs poured out of the canyon and flow into the lake. The mountain pavilion or half hidden on the cliff, or above the spring. Under the shade of the flat slope, one seemed to enjoy the elegant lake. The painting is rigorous in structure and quiet in artistic conception. The painted rocks are brushed with Yuan dry brush, participate in the Song axe chopping method, vigorous, dry and moist, varied, very interesting and charm, reflecting the typical style of landscape painting in this period.

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